This year, the tenth edition of the Rigg Design Prize will be presented. Ahead of the 2025 iteration, we reflect on the enduring legacy of its benefactor, the late Colin G. Rigg, and the significance of this prestigious prize exhibition.

Established through Colin G. Rigg’s visionary bequest, the Rigg Design Prize embodies his profound commitment to philanthropy and belief in the ability of the arts to enrich lives. His generosity laid the groundwork for what has become one of Australia’s most significant and enduring design accolades.

Rigg's journey towards becoming a supporter of the arts began during his tenure as the General Manager of the Trustees Executors and Agency Company Limited, later known as ANZ Trustees. From 1933 to 1957, he served as the Secretary of the Felton Bequests' Committee, a position that provided him with invaluable insights into the significance of private benefaction in supporting public institutions. Established in 1904, The Felton Bequest has significantly assisted the growth and development of the NGV Collection. Inspired by this experience, Rigg established the Cicely and Colin Rigg Bequest, driven by a desire to cultivate and advance the knowledge, understanding, appreciation and practice of the arts in Victoria. Through his own demonstration of philanthropic support, he sought to inspire others to contribute to the cultural enrichment of their communities.

Rigg's visionary support for the NGV culminated in the establishment of the Rigg Design Prize, formerly known as the Cecily and Colin Rigg Contemporary Design Award. Established in 1994, the triennial prize initially focused on recognising contemporary craft and design practices within Victoria. Over the years, the prize has evolved into a national platform, including individual practitioners and design studios from across Australia. Reflecting the NGV's commitment to championing the cultural value of contemporary design, this expansion was facilitated by the establishment of the NGV's Department of Contemporary Design and Architecture in 2015.
The Rigg Design Prize is not only a prize exhibition; it is a celebration of excellence and the ever-evolving landscape of Australian contemporary design. Since its inception, the prize exhibition has showcased the exceptional talents of practitioners working across a wide spectrum of disciplines, including ceramics, metalwork, textiles, jewellery, seating, product and furniture design, interior design and advertising. This breadth of representation underscores the prize's commitment to recognising and promoting the diversity of contemporary design practice in Australia.

The thematic explorations of each iteration of the prize provide a captivating glimpse into the creative currents shaping design practice. From the early focus on specific materials like ceramics and textiles to the later expansions into broader fields like product and furniture design, interior design and advertising, the Rigg Design Prize has consistently captured the creativity and dynamism of Australian design.

The impact of the Rigg Design Prize extends far beyond the recognition bestowed upon its recipients. The prize exhibition has played a pivotal role in raising the profile of Australian design, fostering a greater appreciation of the talent within the country.

Since 1994, the nine prize exhibitions have presented the works of over one hundred artists, craftspeople and designers, providing them with a valuable platform to showcase their ideas, approaches and skills, and connect with wider audiences. Among its winners are Neville Assad (1994), Robert Baines (1997), Louise Weaver (2003), Sally Marsland (2006), Simone LeAmon (2009), Marian Hosking (2012), Adam Goodrum (2015), Hecker Guthrie (2018), and Leo Burnett Australia (2022). These individuals and studios represent the best of Australian craft and design, and their work and contributions have left an indelible mark.

The Rigg Design Prize serves as a powerful reminder of the profound impact that individuals can have on the cultural landscape through their philanthropic endeavours. Rigg's visionary investment in the arts has created a legacy that continues to inspire and support generations of Australian designers. His commitment to fostering a vibrant and thriving arts community has not only elevated the status of Australian design but has also enriched the cultural fabric of the country. As we look forward to the tenth edition of the Rigg Design Prize in 2025, we celebrate not only the remarkable achievements of the designers who have participated in the prize but also the enduring legacy of Rigg, a true champion of Australian creativity who died in 1982.

The Rigg Design Prize, generously supported by the Cecily & Colin Rigg Bequest is now managed by Equity Trustees and stands as the highest accolade for contemporary design in Australia. As we near the latest iteration of this unique prize, we are reminded of the enduring effect of giving and its ability to inspire, elevate and transform the world in which we live.

Simone LeAmon is NGV Curator of Contemporary Design and Architecture.

The Rigg Design Prize will be presented at The Ian Potter Centre: NGV Australia from 19 September. The NGV warmly thanks the Cecily & Colin Rigg Bequest for supporting the Rigg Design Prize.